A Trip To The Palace Museum.
Rainy Day Hong Kong.
17.05.2024 - 23.05.2024
We have managed only one swim in Discovery Bay so far this year as the weather ranges from rainy, rainier, even more rainy, to rainy with thunderstorms. After our swim, we had dinner in the club.
Plus we have been busy sorting out two upcoming overseas trips, but yesterday, despite the rain, I finally ventured out. I went to The Palace Museum in West Kowloon Cultural District. This is a relatively new museum which has only been open since 2022. It costs HK$60 regular entrance fee for an adult, that's around about £6, but it's more expensive if you choose to go to the special exhibitions.
To get to the museum I went to Kowloon Station and exited via exit E. It's signposted all the way, but basically it involves exiting the station building, going left and crossing a footbridge over a major motorway.
Standing on the footbridge watching the traffic roar towards you from the Cross Harbour Tunnel is quite unnerving, but there are already good views of the Palace Museum, The ICC (Hong Kong's tallest building) and the sea from the footbridge.
One of the most impressive things about this museum is the building itself. It was designed by renowned Hong Kong architect Rocco Yim and took five years to build. Its design is based on The Forbidden City in Beijing, but whereas The Forbidden City stretches out horizontally, this version stretches out vertically. Basically there are three different levels, each with windows facing out towards a different direction and there's a huge spacious central area on each level, rather like the open courtyards in the Forbidden City. These open areas encourage people to sit down, relax and chat. The bronze undulating ceilings of the building represents the golden roofs of The Forbidden City Palaces and there are bamboo like curtains falling down over the walls.
The museum houses more than nine hundred objects taken from The Beijing Palace Museum. There are nine different galleries, two Chinese restaurants and a four hundred seat lecture theatre inside the building. It's really very impressive.
Although the Palace Museum contains nine galleries, during my visit two were closed as they were changing the exhibitions and two were special exhibitions requiring a higher priced entry ticket, so I visited five galleries in total.
I started in gallery number six which was housing 'Passion For Collecting.' This gallery displays a wide array of items which were donated to The Palace Museum and included metal work, religious art, furniture, paintings, clocks and ceramics.
Then I headed into gallery seven which was hosting 'Dwelling in Tranquility: Reinventing Traditional Gardens.' This was inspired by a field trip made by a group of artists to a variety of gardens in Mainland China. It identifies the main elements of these gardens (such as: bridges, moon gates, rocks representing mountains, running water, windows in a variety of different shapes) and creates modern sculptures based on these. There was an acoustic device which was supposed to make the sounds of wind and water and a bridge that changed intermittently into a moon gate.
Gallery eight was holding a special exhibition so I couldn't go there, but there was an escalator up to a Chinese restaurant and an outdoor viewpoint. Gallery nine is up on this level, but it was closed. The viewpoint was very popular and even on a dull day the views were beautiful.
Downstairs again I entered gallery five 'The Quest For Originality: Contemporary Design and Traditional Design in Dialogue.' This exhibition had a hundred objects from the Palace Museum in Beijing in the same room as contemporary objects designed by Hong Kong artists. The idea of the exhibition is to show that people have always been interested in creating beautiful functional objects and have always had many innovative ideas. Plus many contemporary works have been inspired by the past.
Gallery four was called 'Stories Untold: Figure Paintings of the Ming Dynasty from the Palace Museum.' This exhibition showed paintings of people going about their everyday lives in Ming Dynasty times.
Just outside this gallery there is another outdoor viewing area with a different perspective from the last one. The weather was very overcast when I looked out from here, but nonetheless I enjoyed watching a boat progress down the harbour.
I just had one more exhibition to look at as there was another special exhibition in gallery three and gallery one was closed in order to change the exhibition, so I headed to gallery two to look at 'From Dawn to Dusk. Life in The Forbidden City'. This exhibition showed objects and events from a typical day in the life of an emperor or empress living in The Forbidden City. This exhibition was the busiest of all with a tour group wandering through and a class of secondary school students on a school trip.
I noticed there were many clocks on display. When I was looking at one, one of the guides explained to me that the emperors got up early at around 4.30am because they had so much to do in terms of running a huge country like China.
There were Silken robes on display next to a film called dressing the emperor, showing the palace servants assisting their emperor to wash and dress.
There was a very elaborate mirror where the emperor or empress could check their appearance before beginning the day.
I was surprised that the base of one of the clocks was elephants and the base of the mirror was elephants, then I found huge elephants carrying vases. I don't associate elephants with China, but then what do I know.
There were dishes the emperors used for eating and drinking. Some of them even had poems written on them. I'm not sure whether these were composed by the emperor or for the emperor. There were little booths you could step inside to look at the poems either in English or Chinese, plus you could press a button to listen to the poems.
I even noticed one ceramic container that intrigued me. It turned out to be a box for transporting your pet cricket. Now there's something I have never felt the need of.
There were lamps for lighting the palace at night and incense burners to freshen the air and ward off insects and for religious purposes.
There were religious images and art. The ones on show were from Tibet and were accompanied by the sound of chanting monks.
There were chops for sealing official documents and wall hangings to bring good luck.
I was also fascinated by something called the emperor's wish granting stick. In my head this conjured up a magic wand, but when I looked it up later, I found out it was a speaking stick, so you had to be holding this before you could speak in the emperor's presence.
For entertainment in the palace there may be performances of Chinese opera or the emperor could test his wits on a board game. These entertainments may take place outside in one of the palace gardens.
There were paintings showing scenes from the emperor's life.
There was an area where you could practise calligraphy on a computer screen using a brush.
Finally there was an area where you could lie down and watch images of the emperor and empress's lives on the ceiling above you. I passed this twice. At one point it was covered in sleeping school boys. Haha!
Another thing I noticed in this museum was it was possible to borrow a folding stool and take it round with you in case you got tired. What a great idea! Perfect for Peter.
Well, that was me done and I headed out for a walk around The West Kowloon Cultural District. I was looking at the other buildings and the beautiful flowers when once again it started pouring with rain, so I got my raincoat on and my umbrella up and headed for home.
A perfect way to spend a rainy day. I especially liked the time pieces as we have clocks in almost every room of our house - though definitely not as ornate nor being carried by elephants. I hope the weather brightens up for you both soon and you get back to your gorgeous pool.
by Catherine